Filters are well catered for, with 2 and 4 pole lowpass, highpass, bandpass, notch and formant modes with flexible routing. Analog tips its hat to classic analogue synths, with two oscillators featuring sine, square, saw and white noise, plus a sub oscillator with hard-sync and self oscillate. There are also three LFOs, five multimode envelopes and MIDI inputs to wreak havoc with. Not only will it handle sound libraries such as AKAI S1000, S3000, GigaStudio, EXS, SoundFont and (non-encrypted) Kontakt, but is also a very powerful wave-shaping tool featuring a dedicated modulation oscillator which allows samples to be frequency or amplitude-modulated. Sampler, as its name suggests, will take care of all your multi-sampling needs. Operator is possibly the best known, an FM synthesizer designed by Robert Henke (aka Monolake) with lots of excellent features. The included instruments are equally as innovative, many of which have been with the package for some years others are brand spanking new. In addition to this are the existing modes, which’ll take care of re-pitch, tones (stretches vocals, monophonic instruments and basslines with a clear pitch structure) and textures. There is a newly enhanced “Beats” warp mode for improved warping of percussive material and new control options with the “Pro Complex” mode for warping intricate, polyphonic material with fewer artifacts. The warp engine is at the heart of the system and it’s at its most effective in Suite 8, allowing you to adjust events actually on the timeline as opposed to stretching it around the events as before. One of the things that put Ableton on the map was its ability to warp or sync audio loops of different tempos to the same master BPM without huge sound degradation in an ‘on the fly’ manner, making the software equally attractive to DJs and live performers. You can capture, then edit or tweak your efforts in the equally versatile arrangement view, which tips it hat to the more traditional approach to sequencing and editing. This is due first and foremost to the session view window, which enables you to collect, sketch, record and experiment with your sonic arsenal in real-time. This forced us to think away from the technicalities of the linear based DAWs or musical notation systems that had previously been standard, and jam with our machines in much the same way as musicians throughout the ages have. Ableton Live was launched in 2001 and completely revolutionized the way we interact with our computer when composing and arranging music.
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